Cospre.!!

Governunce

I'm thinking of using Takuro Yoshida's music to bring balance to Japan... You shouldn't give yourself too much thought... It's an ironclad rule that thoughts can't hit you... It's the same principle as a bullet can't hit you...

What is this governance? ...

This is a plan to develop important bases in Balance, and there is a power relationship between Europe and the United States in the current global world called Hal & Pal, with Narus at its core. ...

This is also the "Yuko Obuchi issue" in the theory of the Cabinet Secretariat in the current country of Japan, and how to support the central female leader. ...

Opinion logics

The achievement of the electromagnetic theory of the universe in a distributed processing system is a miracle, and there is a demand for this miracle to be made available to all.

Shiretoko Tabijyou....

The feeling of singing music in Japanese can express the feelings of the aliens in space and their freedom from loneliness....There are also men who are friends....

In Japan, this song "Shiretoko Tabijyou" is well known for being sung by Tokiko Kato, and is also loved and sung by men of the same age as the secret to making them cry....

Too bad criming ceeds

"Warue Warue" originates from the Japanese Jodo Shinshu... It is true that there is even a deep desire to escape from the suffering of this world, and that this is a reality that has been proclaimed to me since my childhood, and I have lived my life accepting that this reality exists... Therefore, religiously, the Japanese people are not guilty... Even Daizoji Temple of the comparative Jodo Shinshu is Sentokuji Temple, and Rengeji Temple on Iroha Hill, which has Tenpyo roof tiles... .

Jodo Shinshu has not yet reached the point where it can make Amida Tathagata its principal image... It is still chanting the Heart Sutra over and over again... This is the truth... We are not yet such wonderful gods or Buddhas... .

Main opinion seek ceeds

なんでもないや

作詞：野田洋次郎 作曲：野田洋次郎


二人の間 通り過ぎた風は

どこから寂しさを運んできたの


泣いたりしたそのあとの空は

やけに透き通っていたりしたんだ



いつもは尖ってた父の言葉が

今日は暖かく感じました


優しさも笑顔も夢の語り方も 知らなくて

全部 君を真似たよ



もう少しだけでいい あと少しだけでいい

もう少しだけでいいから
もう少しだけでいい

あと少しだけでいい もう少しだけくっついていようか



僕らタイムフライヤー

時を駆け上がるクライマー


時のかくれんぼ はぐれっこはもういやなんだ



嬉しくて泣くのは 悲しくて笑うのは


君の心が 君を追い越したんだよ



星にまで願って 手にいれたオモチャも

部屋の隅っこに今 転がってる


叶えたい夢も 今日で100個できたよ

たった一つといつか 交換こしよう



いつもは喋らないあの子に今日は

放課後「また明日」と声をかけた


慣れないこともたまにならいいね

特にあなたが 隣にいたら



もう少しだけでいい あと少しだけでいい

もう少しだけでいいから
もう少しだけでいい

あと少しだけでいい もう少しだけくっついていようよ



僕らタイムフライヤー

君を知っていたんだ


僕が 僕の名前を 覚えるよりずっと前に



君のいない 世界にも 何かの意味はきっとあって


でも君のいない 世界など 夏休みのない 八月のよう



君のいない 世界など 笑うことない サンタのよう


君のいない 世界など



僕らタイムフライヤー 時を駆け上がるクライマー


時のかくれんぼ はぐれっこはもういやなんだ



なんでもないや やっぱりなんでもないや


今から行くよ

僕らタイムフライヤー

時を駆け上がるクライマー


時のかくれんぼ はぐれっこ はもういいよ



君は派手なクライヤー

その涙 止めてみたいな
だけど 君は拒んだ

零れるままの涙を見てわかった



嬉しくて泣くのは 悲しくて笑うのは


僕の心が 僕を追い越したんだよ

It's nothing

Lyrics: Yojiro Noda Composition: Yojiro Noda

Where did the wind that passed between us bring loneliness from?

The sky after crying was awfully clear

My father's words, which were usually sharp,

felt warm today

I didn't know how to be kind, smile, or talk about dreams

I copied everything from you

Just a little more is fine, just a little more is fine

Just a little more is fine, just a little more is fine

Just a little more is fine, shall we stick together for a little longer?

We are time flyers

Climbers who run up through time

I'm tired of playing hide-and-seek in time and getting lost

Crying with joy, laughing with sadness

Your heart has overtaken you

The toy I wished upon and got

Now lying in the corner of my room

I've made 100 dreams that I want to make come true

Let's exchange it for just one someday

Today, to that child who doesn't usually talk After school, I said "See you tomorrow." Sometimes it's okay to be unfamiliar. Especially when you're beside me. Just a little longer is fine. Just a little longer is fine. Just a little longer is fine. Just a little longer is fine. Let's stick together for a little longer. We are time flyers. I knew you. Long before I remembered my name. There must be some meaning in a world without you. But a world without you is like August without summer vacation. A world without you is like Santa, with no laughs. A world without you is like a world without you. We are time flyers, climbers running up through time. I'm tired of playing hide-and-seek in time and getting lost. It's nothing, it's nothing after all. We're going now, we are time flyers. Climbers running up through time. I'm tired of playing hide-and-seek in time and getting lost. You're a flashy crier. I want to stop those tears, but you refused. I saw the tears that were spilling and I understood. To cry with joy, to laugh with sadness, is my heart. It overtook me

Long away ceeds

The image of "Prince Fapura", the crown prince of the blue universe, whispering to all the girls that it's nothing, is a tribute to the boy's masculine humanity, symbolized by the old "Farewell My Lover", and there is a magic in that the girls are saved by the kindness of the boy's heart as he watches over them tenderly... We adults must continue to nurture the idea of ​​"Fapura", which gently embraces them, so as not to destroy the boy's kindness... We must cherish and nurture the boy's love and heart, "Farewell My Lover", which is fair and equal... This is what I mean...

There is no longer a social issue of whether to be male or female... It was meaningless to the old people of the past, but now that we are past the year 2000, there is no such thing as a gender debate... .

It is also the result of the desire for a topological economic society that has made self-sorrow caused by egocentrism a social issue and attracted attention... There is already a person called Kenichi Mikawa... The entertainment industry is a core discourse... It is also a topological economic and social theory of "Your Name"... .

In fact, we have not yet been able to break away from the topological socialism of "Your Name"... In the future, men and women will switch places... Even such a mystery exists in the future society... .